Beautiful 4K footage with the Super 35mm CMOS format sensor The Canon EF-mount Cinema EOS C300 Mark II Camcorder with Dual Pixel CMOS AF features a Super 35mm CMOS. The Canon C200 and Panasonic AU-EVA1 have probably been the two most talked about (and hyped) camera announcements so far this year. It would be great to hear some alternative views on what is becoming a very talked about camera. The Sony FS7 annoyingly is similar in grouping outputs. We always use double opt-in, so please confirm your subscription by clicking on the link you will receive in an email after you hit "sign up". A 4K image can be recorded in 10-bit 4:2:2 internally using CFast 2.0 cards. Cinema EOS C300 Mark III adalah evolusi berikutnya dari jajaran kamera cinema profesional Canon. 8.85 megapixels (4096 x 2160): When 4096 x 2160 or 2048 x 1080 is selected as the resolution, (1) Manual exposure based on shutter setting, iris setting, ISO/gain setting, and ND filter setting, Speed, Angle, Clear Scan, Slow, or Off mode selected, 1/2-stop, 1/3-stop or fine setting selected, 5 density settings (2,4,6,8(*), 10(*) stops) [(*) when expansion is selected], 4" (10.1 cm diagonal) color wide-screen LCD with 16:9 aspect ratio, 0.46" (1.18 cm on the diagonal), color organic EL display with a widescreen 16:9 aspect ratio, Kelvin setting (setting range: 2000K to 15000K), daylight, tungsten, settings (A/B), Movie recording, custom picture settings, metadata 2-slot, Recording of movies and photos (JPEG), custom pictures, metadata, menus and other data possible, Slow & Fast motion recording (max. I’ve had one in for the last few days and wanted to share some fresh thoughts as a working operator. Redesigned with the help of user input, the EOS C300 Mark II Digital Cinema Camera helps to deliver more creative flexibility for professional studio motion picture production applications, as well as independent productions, TV dramas, commercials, news features, sports and more. You have your standard grid lines, centre crosshair and aspect ratios. Speaking generally about the camera I am a big fan of the ergonomics, like previous EOS cameras it sits well in the hand (despite being a little on the heavier side). The modular design of the EOS C300 Mark II camera also allows for many kinds of industry-standard accessories to be added or removed as needed. Canon’s Cinema EOS C300 Mark III is the next evolution of Canon’s professional cinema camera range. If the outside of the Canon C300 Mark III looks both different and familiar, there’s a reason why: it uses the exact same body as Canon’s C500 Mark II camera. I think the C500 Mark II, C300 Mark III and C200 Mark II will be compatible with an RF-mount conversion that was rumored earlier. The EOS C300 Mark III supports ACES 1.0 of the Academy Colour Encoding System. This is an extension of the former point; due to grouping certain outputs you can’t use Perimeter View on the camera monitor and receive a clean feed on HDMI or SDI 1. The cable and monitor are working fine as that was the first thing I tested. Canon Cinema EOS C300 Mark II Super 35mm CMOS Sensor 4K,1920x1080 60/50i, 23.98/25p True 24p Canon XF AVC H.264 Codec PL Lens Mount Rotating 4" LCD Monitor 2 x 3G-SDI Output, 2x XLR Inputs 2 x CFast Card Slots Timecode I/O, Genlock In & Sync Out Canon Log 3 Gamma As with many other cameras with high framerate options, audio is also disabled in slow motion mode. You press S&Q, it goes into slow mode and you can select your framerate, simple. The EOS C300 Mark III features an advanced 12G-SDI interface which has four times the bandwidth compared to 3G-SDI, simplifying 4K workflows by enabling it to output 4K 50/60p over a single cable. Unfortunately this is not the case for the C300 Mark II as with 90% of other cameras on the market; not all features are available on the assignable buttons menu. While the EVA1 is still a bit of a mystery as not even a single frame of footage has been shown to … Just like the C500 Mark II, the C300 Mark III can shoot in Canon Log 2, Canon Log 3, HDR-HLG, HDR-PQ, Normal 1, and Wide DR. LUTs Image copyright Dave May (@davetallstory) Preset Viewing LUTs can be assigned for each output. And if you don't like our newsletter, you can unsubscribe with a single click, the link is at the bottom of every newsletter. For those wondering about whether the C300 Mark II fits on the Movi M5, the answer is both yes and no. The old C200 won't be. Super 35mm DGO Sensor with 16+ stops of Dynamic Range The new camera will share some things with the Cinema EOS C300 Mark III. Super35 Dual Gain Output (DGO) Sensor; 4K 120p, 2K Crop 180p HDR Capture; Canon Log 2, 3, PQ & HLG Recording We’ve tested the raw format with an Atomos Shogun external recorder that we connected via SDI which is the only way to get raw out of th… There are 4 LUTs installed on the camera: BT.709, BT.2020, DCI and ACESproxy10. Like many, the Sony FS7 and the Canon C300 Mark II are close to the top of my list. Post was import for all stills was into Premiere Pro CC, export to TIFF then convert to 100% JPEG in Lightroom. Both the Arri Amira and Sony FS7 support custom load LUTs and provide a decent stock LUT pre-loaded on the camera. There’s a lot of information starting to circulate on the Canon C300 Mark II as it finds its way into the hands of owners. 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